If you liked the first part, you should definitely check out Badrinath Ki Dulhania. It is entertaining, it gives out a social message, it has great performances from the two leads and it holds a nice page throughout the duration of the movie.
His performance will not go unnoticed.Ĭonclusion: Badrinath Ki Dulhania is a movie which holds the standard set by Humpty Sharma Ki Dulhania. Sahil Vaid, who plays the lovable best friend of Badrinath, Somdev, is the actor who holds the movie together.
BADRINATH KI DULHANIA MOVIE PART PLUS
Maybe she doesn’t even need to up her game because she is so far ahead of the competition now. Alia also manages to cry more naturally in front of the camera, which is a big plus in films like this. She stands her ground and even though she doesn’t break new boundaries with her acting in Badrinath Ki Dulhania, she shines. He also gets the accent right.Īlia Bhatt is a firecracker and she once again proves that she is one of the finest female actors of our generation. He is charming, shows his acting range, without ever going out of character. The role will endear him to a large section of the audience and should help him win over fans in droves at smaller cities and towns of India. He owns Badrinath Ki Dulhania from start to finish, and lives the character of Badri. The title song, Aashiq Surrender Hua, Humsafar and Roke Na Time Naina all move the story forward in their way and also sound good.Īcting: Varun Dhawan shines and how. The music of Badrinath Ki Dulhania, even if it doesn’t hit the zany heights of the first movie, it makes quite a mark. The costume design and the production design make the film authentic. Technically, Badrinath Ki Dulhania feels like a real movie, because it has been largely shot on real locations in Kota and in Singapore. Shashank Khaitan succeeds in his job once again. The balance of emotions, i.e funny moments and dramatic moments, is very smartly done with none of the two elements taking an upper hand. The second half doesn’t lag behind in the entertainment factor either.
The first half of Badrinath Ki Dulhania flows by, and there are no dull moments in the film. He tries to imbibe some novel forward thinking issues in his movie, and largely succeeds in bringing it across in an entertaining manner. Screenplay and Direction: Shashank Khaitan gets the issues faced by small town India which the population in metroes often overlook. We don’t want to reveal much about the story, but it also touches upon the abhorrent issue of dowry. He coaxes her into falling in love with him but the problem arises when she wants to be an independent woman and Badri’s father doesn’t want her to work after marriage. His father is a typical misogynist who doesn’t like women in the family to be working. Story: Badrinath (Varun) is a lovable chap who lives in Jhansi. Will it continue the hit formula and entertain like the first film? Also, will it continue Varun Dhawan’s impressive success streak? Will Alia shine once again? The movie has no link to the first film in the series, except for its title. Karan Johar thinks the ‘Dulhania’ franchise could be a money-spinner for him and thus has bankrolled the next film in the franchise Badrinath Ki Dulhania. That movie came out of nowhere, became a big surprise hit and more importantly was loved by the audience.
Here in lies the essence of the film.Shashank Khaitan, the complete outsider, made huge inroads into Dharma Productions and into Bollywood with his debut directorial Humpty Sharma ki Dulhania. Vaidehi realizes that Badri’s MCP attitude is not his, but a product of his upbringing and underneath it all lies a simple boy looking for love and true companionship. Badri understands that the role of women in society is very different from what he had grown up seeing and he comes to admire and appreciate their potential. But ultimately it’s a film about understanding and realization. Their interactions lead to humor, difference of opinions and conflicts, which are against the moral fabric of MCP’s in general. Badrinath Ki Dulhania is the story of these two opposites. Vaidehi is trying hard to be the son of her family, but is constantly bombarded with the realities of small town India, where for a woman, a happy married life is given more importance than a career. For Badri, Vaidehi’s dreams are more conversations rather than a practical way of life, but he continues to entertain them just to woo her. She craves independence and an individual identity, something most small town Indian girls don’t have the luxury to dream off. But Vaidehi is an aspirational girl, from Kota (Rajasthan), trying to fight her way out of the male dominant world she has grown up in. When he meets Vaidehi Trivedi, he believes he has found the ideal bride. Badrinath Bansal, a man from Jhansi (Uttar Pradesh, India), is an MCP, not by choice, but because of his upbringing led by his dominant father Ambernath Bansal.